![trials fusion soundtrack trials fusion soundtrack](https://www.gamespot.com/a/uploads/scale_medium/1197/11970954/2444869-trialsfusion.jpg)
It's easy to yell in tune, but incredibly difficult to sing in tune. Mind you, I'm NOT a vocalist, I just may barely survive singing if done at my pace. I've got a nice early-70's-Sennheiser-ish vocoder patch, which I've used many, many times, and again it provided enough warmth and rawness to blend in with the rest of the wailing. Some background vocals were made with G2X, too, using it as a vocoder. If outside modulators are used, the machine lags so badly it's impossible to imagine it's 2014 - but, shooting out the sounds it does, it's all forgiven. (A really nice one, that.) Some of the Solaris's patches aren't the most processor friendly, so some time correction had to be made, but only occasionally.
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(It's being used very heavily in the upcoming Quantum Break soundtrack, too.) The other two arpeggios come from my trusty old Nord Modular G2X, and every patch was designed to fit into the other patch's holes, although they got a bit help from DMG Audio's EQuilibrium plugin. However, since it's still in a beta-ish form, it can be quirky, but manageable. A digital machine that doesn't sound like one. Solaris kept doing its own thing every now and then, but it's by far one of the most versatile pieces of machinery ever made. To tie the far ends of the track together, I used quite a few separate arpeggio patches from Prophet-12 and a John Bowen Solaris - which provides two of the largest pads in the song as well. The base note was kept mono, the other two were "bent" differently in the stereo picture To contrast the beauty of epic pads and the soprano even more, three separate basslines were constructed: one providing the body, the other two all necessary flavors of distortion and rectifying.
![trials fusion soundtrack trials fusion soundtrack](https://i.ytimg.com/vi/WjHqfKSOFo0/maxresdefault.jpg)
I tried to catch two possible female vocalists for the job, but the other was having a vacation, and the other one never responded to my email. The chorus itself didn't bring in enough variety, so a soprano was brought to help - this time as a sample, it's no human voice. Having sorted that out with an uneven rhythm basis (a happy accident caused by Logic X's nasty arrange snapping bug), the rest of the song just followed naturally, bassline filling in the necessary "missing" rhythmical positions. Incredibly, it wasn't the tempo as it is in most cases, instead, it was the original version's rhythm arrangement that sucked most.
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Also, the original "alt pop" arrangement was way too lame when compared to the full blast sheer hell provided by the rest of the soundtrack, so something had to be done. It had a verse too, but it somehow didn't fit into the game, so it was left out from the game soundtrack version. When the Trials Fusion soundtrack slowly evolved, took its form and grew some muscles around the shaky bones of the first early demos, the creative people at Redlynx noticed they'd soon need a theme, too - something for the loader screen as well as the menu itself - and by then I remembered the shelved track. But that doesn't really end there, instead an evolution (pun intended) set in the way. Sometimes a song just won't fit into a picture, or the makers of the video have been listening to a certain song - or genre - throughout the planning stage, thus planting an effective earworm, preventing anything from replacing the original. Originally, the song was meant to serve as a backing track for a 3rd party "first look" video of Trials Fusion and Frontier, but it was shelved for being probably too overly pop - or just a wrong song for that kind of usage.
![trials fusion soundtrack trials fusion soundtrack](https://robloxsong.com/assets/img/codes/5/4828864005.jpg)
"Welcome To The Future", alias "The Main Theme from Trials Fusion", music & lyrics by Petri Alanko: